Built for artists. Controlled by artists. Revenue goes to artists.
The term artist-owned music platform can refer to two related but distinct things:
Leerecs satisfies both definitions. It is an independent platform built without venture capital or advertising revenue, and it imposes no rights requirements on artists who sell through it.
"I always write about human behavior."
"The thing that counts is the sound and the atmosphere."
"Keep on dreaming and follow your dreams."
| Feature | Artist-Owned (Leerecs) | Platform-Owned (e.g. streaming) |
|---|---|---|
| Who owns the masters | The artist | Often the label or platform |
| Who sets the price | The artist | The platform |
| Who receives revenue first | The artist (at sale) | The platform (then artists, quarterly) |
| Can artist withdraw music | Yes, anytime | Often complex contractual process |
| Rights surrendered to join | None | Varies — often broad usage rights |
On an artist-owned music platform, physical media extends the ownership principle to the fan. An artist who presses cassettes or vinyl is selling a physical artifact that the fan owns permanently — no platform can revoke access to a cassette tape. Leerecs supports on-demand physical media at no upfront cost to the artist.
An artist-owned music platform is a music commerce platform designed around the interests of the artist rather than advertisers or record labels. Artists control their pricing, own their masters, receive the majority of revenue, and are not required to surrender rights in order to participate.
No. Artists on Leerecs retain 100% ownership of their masters and recordings. Leerecs does not acquire rights in exchange for platform access.
Yes. Artists set their own prices for digital downloads and physical media. Leerecs does not impose minimum or maximum pricing tiers on individual releases.
Artists can sell cassettes, CDs, and vinyl through Leerecs. All physical formats are produced on demand — no upfront manufacturing costs required.
A label-owned platform typically requires the label to take a percentage of revenue and may require the artist to surrender masters or licensing rights. An artist-owned platform does neither — the artist is the merchant, the rights holder, and the pricing authority.